Thee Oh Sees
Hometown: San Francisco
Tags: psychedelic, lo-fi, garage rock
One of the cornerstone bands of the post-millennium garage/psych resurgence, Thee Oh Sees represent a purposefully chaotic fusion of guitar and synth noise, strong and elemental melodies, and addled but focused attacks.Thee Oh Sees were founded by guitarist John Dwyer; originally from Providence, Rhode Island, after relocating to California in the late ‘90s, Dwyer’, Helvetica, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant: normal; line-height: 20px;"> became active on the San Francisco indie scene, working with several bands, includingthe Coachwhips, Pink & Brown, Yikes, Up Its Alive, andSwords & Sandals, among others. Dwyer formed OCS(which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided it was on any given day) initially as a vehicle for the experimental instrumentals he was producing in his home studio. In time, OCS morphed into an actual band, and worked under the usual flurry of names, most notably as the Oh Sees or the Ohsees, and eventually as Thee Oh Sees, featuring Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit (sometimes listed as Petey Dammit!) on bass, and Mike Shoun on drums. Sounding a bit like the Mamas & the Papas run through a seriously bent garage blender, the band signed with the German Tomlab label and released Sucks Blood in 2007 and The Master’s Bedroom Is Worth Spending a Night In in 2008. Thee Oh Sees’ second full-length effort, Help, appeared in 2009 and featured a bit of a garage rock vibe mixed with the band’s psych-pop sound. The albumWarm Slime followed in 2010. Thee Oh Sees pulled double duty the following year, offering the pop-leaning Castlemania in June, followed in November by the heavier, wilder Carrion Crawler/The Dream, also the band’s first recording with second drummer Lars Finberg (the Intelligence). Thee Oh Sees returned in September 2012 with Putrifiers II, an album combining Castlemania‘s fractured pop sensibilities and Carrion Crawler/the Dream’, Helvetica, Arial, sans-serif; font-size: 12px; font-style: normal; font-variant: normal; line-height: 20px;">’s ferocious rock experimentation. Their next foray, 2013’sFloating Coffin, saw the group stripping away all the weirdness and hitting hard with a heavy set of straight-ahead garage/punk rock tunes. With Dawson moving to Santa Cruz and Dwyer de-camping to L.A. later that year, it was rumored that the band were soon to split, especially after Dwyer told the crowd at a show in December 2013, "This will be the last Oh Sees show for a long while, so dig in." However, the announcement that Drop — their 13th studio album proper — was planned for release in April 2014 suggested that their respective relocations hadn’t affected Thee Oh Sees’ recording schedule. (Courtesy of Steve Leggett)
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